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Stories in Stone: The Tower of London Graffiti That Sheds Light on Forgotten Prisoners

The Tower of London has stood as a silent witness to centuries of British history. From its origins as a fortress to its transformation into a state prison, this iconic structure has held countless prisoners, each leaving behind stories of struggle, defiance, and survival. Among its many historical treasures, the Tower’s graffiti—carved into stone walls by prisoners—offers a deeply personal glimpse into the lives of those who once languished within its confines. Thanks to cutting-edge technology, many of these inscriptions, previously thought illegible, are being deciphered, shedding new light on these forgotten voices from the past.

Decoding the Past with Modern Technology

For centuries, the graffiti etched into the Tower’s walls remained overlooked or unreadable. However, with advancements in technology such as laser scanning, raking light, and X-ray analysis, historians are uncovering long-hidden inscriptions. These methods enhance the shadows and textures of the carvings, allowing researchers to identify intricate details once invisible to the naked eye.

Hundreds of inscriptions were etched into the Tower of London’s stone walls. (Photo: Richard Lea-Hair/Historic Royal Palaces)
Hundreds of inscriptions were etched into the Tower of London’s stone walls. (Photo: Richard Lea-Hair/Historic Royal Palaces)

Dr. Jamie Ingram, leading a major project to study the Tower’s graffiti, has made groundbreaking discoveries. While conducting a survey of the Salt Tower, he identified 354 pieces of graffiti—far exceeding the 79 previously recorded. Among these were carvings by Hew Draper, a Bristol innkeeper accused of sorcery in 1561. Draper inscribed a zodiac wheel and astrological symbols, perhaps as a testament to his beliefs or as a means of passing time. His fate remains unknown, but his carvings offer a glimpse into his mind during his imprisonment.

Freshly unearthed graffiti adorns the walls of the Salt Tower at the Tower of London. (Photo: Jamie Ingram/Historic Royal Palaces)
Freshly unearthed graffiti adorns the walls of the Salt Tower at the Tower of London. (Photo: Jamie Ingram/Historic Royal Palaces)

One of the most remarkable discoveries in the Salt Tower was a possible female voice—a rarity in historical graffiti. A passage written in Breton mentions a “husband” and references honor and rivers, raising intriguing questions about the identity and story of the author. Whether a prisoner herself or the wife of one, this inscription stands as a rare first-person record of a woman’s presence in the Tower.

Claire Foy as Anne Boleyn in “Wolf Hall.” Henry VIII’s second wife ranks among the Tower of London’s most famous inmates. (Photo: BBC Two/Sportsphoto/Allstar)
Claire Foy as Anne Boleyn in “Wolf Hall.” Henry VIII’s second wife ranks among the Tower of London’s most famous inmates. (Photo: BBC Two/Sportsphoto/Allstar)

Video

Step inside the Beauchamp Tower, a 700-year-old prison with intriguing 500-year-old graffiti – watch the video to explore the history and hidden stories behind these fascinating marks!

The Beauchamp Tower: A Gallery of Stories

The Beauchamp Tower, situated west of Tower Green, was constructed around 1281 during Edward I’s reign as part of the Tower’s inner defenses.
The Beauchamp Tower, situated west of Tower Green, was constructed around 1281 during Edward I’s reign as part of the Tower’s inner defenses.

Another significant site within the Tower of London is the Beauchamp Tower, which has served as a holding place for high-profile prisoners throughout history. Its walls are adorned with some of the most intricate and poignant graffiti, each carving telling its own tale.

In the upper chamber, visitors can admire an intricate carving depicting a plant for each man—roses for Ambrose, carnations (known historically as gillyflowers) for Guildford, oak leaves (robur in Latin) for Robert, and honeysuckle for Henry.
In the upper chamber, visitors can admire an intricate carving depicting a plant for each man—roses for Ambrose, carnations (known historically as gillyflowers) for Guildford, oak leaves (robur in Latin) for Robert, and honeysuckle for Henry.

One of the most famous inscriptions is the Dudley family coat of arms, thought to have been created by John Dudley, son of the Duke of Northumberland. The carving features symbols representing each of the four Dudley brothers—roses for Ambrose, carnations for Guildford, oak leaves for Robert, and honeysuckle for Henry. Imprisoned due to their father’s failed plot to place Lady Jane Grey on the throne, their story is a testament to the political turmoil of the era.

Another striking piece is the graffiti left by Thomas Abel, chaplain to Katherine of Aragon. Imprisoned for opposing Henry VIII’s divorce from Katherine, Abel carved a bell with an “A” and his name, symbolizing his steadfast loyalty. His carving endures as a tribute to his defiance and unwavering faith.

Imprisoned in 1533, Abel wrote to Thomas Cromwell in 1537: “I have now been in close prison three years and a quarter come Easter,” pleading “to lie in some house upon the Green.”
Imprisoned in 1533, Abel wrote to Thomas Cromwell in 1537: “I have now been in close prison three years and a quarter come Easter,” pleading “to lie in some house upon the Green.”
Graffiti bearing the name “Thomas” above a bell with an ‘A’ on one side still endures in the Beauchamp Tower’s upper chamber.
Graffiti bearing the name “Thomas” above a bell with an ‘A’ on one side still endures in the Beauchamp Tower’s upper chamber.

The name of Philip Howard, Earl of Arundel, is also etched into the Beauchamp Tower walls. A leading Catholic peer, Howard was imprisoned for 10 years by Elizabeth I for his religious beliefs. His inscription, written in Latin, reflects his devotion: “The more affliction we endure for Christ in this world, the more glory we shall get with Christ in the world to come.” His story is a powerful reminder of the sacrifices made for faith during a time of religious persecution.

Arundel’s name appears carved into the Upper Beauchamp Tower wall, alongside the words, “The more affliction we endure for Christ in this world, the more glory we shall get with Christ in the world to come.”
Arundel’s name appears carved into the Upper Beauchamp Tower wall, alongside the words, “The more affliction we endure for Christ in this world, the more glory we shall get with Christ in the world to come.”

Hidden Graffiti Across the Tower

Graffiti at the Tower of London.
Graffiti at the Tower of London.

Beyond the Salt and Beauchamp Towers, many other mysterious and thought-provoking inscriptions can be found across the Tower of London. Each carving represents the resilience of the human spirit and the need to leave a lasting mark, even in the face of despair.

In the Bell Tower, an anonymous inscription reads: “By torture strange my truth was tried, yet of my liberty denied. Therefore reason hath me persuaded, patience must be embraced.” This poignant message captures the anguish and fortitude of a prisoner subjected to interrogation.

Hew Draper’s astrological carving in the Salt Tower stands out as a unique piece of graffiti, combining cosmology and personal reflection. His zodiac wheel is accompanied by the words “Hew Draper of Bristol made this sphere the 30th day of May, 1561,” a testament to his determination to record his identity despite his dire circumstances.

Inscriptions by Jesuit priest Henry Walpole are another notable example. Tortured 14 times during his imprisonment, Walpole etched his name alongside those of saints, reflecting his steadfast faith amidst suffering. His graffiti is a symbol of resistance and spiritual strength.

Though once credited to Lady Jane Grey, this inscription likely predates her confinement; owing to her status, she would have stayed in more comfortable domestic quarters rather than a cell.
Though once credited to Lady Jane Grey, this inscription likely predates her confinement; owing to her status, she would have stayed in more comfortable domestic quarters rather than a cell.
Another inscription associated with Lady Jane Grey.
Another inscription associated with Lady Jane Grey.
Floral decorations around the Dudley family crest denote four brothers imprisoned between 1553 and 1554, following their father’s attempt to place Lady Jane Grey on the throne.
Floral decorations around the Dudley family crest denote four brothers imprisoned between 1553 and 1554, following their father’s attempt to place Lady Jane Grey on the throne.
Edward Smalley, a servant of a Member of Parliament, was jailed for a month in 1576 for failing to pay an assault fine. Thomas Rooper (1570) might have been linked to the Roper family—enemies of Queen Elizabeth—while Edward Cuffyn, tried in 1568 for conspiracy, remained in the Tower for the rest of his days.
Edward Smalley, a servant of a Member of Parliament, was jailed for a month in 1576 for failing to pay an assault fine. Thomas Rooper (1570) might have been linked to the Roper family—enemies of Queen Elizabeth—while Edward Cuffyn, tried in 1568 for conspiracy, remained in the Tower for the rest of his days.
An anonymous inscription in the Bell Tower is believed to have been left by Thomas Miagh, an Irishman imprisoned in 1581 for leading a rebellion against Queen Elizabeth.
An anonymous inscription in the Bell Tower is believed to have been left by Thomas Miagh, an Irishman imprisoned in 1581 for leading a rebellion against Queen Elizabeth.
Another Beauchamp Tower inscription, signed “Thomas Miagh 1581,” reads: “THOMAS MIAGH – WHICH LETH HERE THAT FAYNE WOLD FROM HENS BE GON BY TORTURE STRAUNGE MI TROUTH WAS TRYED YET OF MY LIBERTY DENIED.” Though never tried, he remained locked up until 1583 but was granted “the liberty of the Tower,” allowing him some freedom within its precincts.
Another Beauchamp Tower inscription, signed “Thomas Miagh 1581,” reads: “THOMAS MIAGH – WHICH LETH HERE THAT FAYNE WOLD FROM HENS BE GON BY TORTURE STRAUNGE MI TROUTH WAS TRYED YET OF MY LIBERTY DENIED.” Though never tried, he remained locked up until 1583 but was granted “the liberty of the Tower,” allowing him some freedom within its precincts.
In 1594, Jesuit priest Henry Walpole endured the manacles fourteen times. He later carved his name in the Beauchamp Tower wall, adding St. Peter, St. Paul, Jerome, Ambrose, Augustine, and Gregory—the four great Doctors of the Eastern Church.
In 1594, Jesuit priest Henry Walpole endured the manacles fourteen times. He later carved his name in the Beauchamp Tower wall, adding St. Peter, St. Paul, Jerome, Ambrose, Augustine, and Gregory—the four great Doctors of the Eastern Church.
Inside the Salt Tower, the letter “E” in a heart represents Queen Elizabeth in graffiti attributed to her Italian tutor, Giovanni Battista Castiglione.
Inside the Salt Tower, the letter “E” in a heart represents Queen Elizabeth in graffiti attributed to her Italian tutor, Giovanni Battista Castiglione.
Typping, arrested in 1586 for the Babington Conspiracy, was tortured yet eventually released in 1590 after agreeing to alter his religious affiliation. His inscription appears in the Beauchamp Tower.
Typping, arrested in 1586 for the Babington Conspiracy, was tortured yet eventually released in 1590 after agreeing to alter his religious affiliation. His inscription appears in the Beauchamp Tower.
In 1622, T. Salmon scrawled above his coat of arms: “CLOSE PRISONER 32 WEEKS, 224 DAYS, 5376 HOURS.” It is believed he died while still incarcerated.
In 1622, T. Salmon scrawled above his coat of arms: “CLOSE PRISONER 32 WEEKS, 224 DAYS, 5376 HOURS.” It is believed he died while still incarcerated.
A second piece of graffiti by Giovanni Battista Castiglione, who was imprisoned by Mary (Elizabeth’s sister) in 1556 for plotting against her, then later released.
A second piece of graffiti by Giovanni Battista Castiglione, who was imprisoned by Mary (Elizabeth’s sister) in 1556 for plotting against her, then later released.
Very little is known about William Rame, whose name is inscribed at the bottom of this carving.
Very little is known about William Rame, whose name is inscribed at the bottom of this carving.
In 1587, Philip Howard, Earl of Arundel, carved this Latin inscription above the chimney breast in the Beauchamp Tower.
In 1587, Philip Howard, Earl of Arundel, carved this Latin inscription above the chimney breast in the Beauchamp Tower.

The Historical and Cultural Significance of Graffiti

Nearby is a zodiac wheel, with a diagram outlining the days of the week and hours of the day.
Nearby is a zodiac wheel, with a diagram outlining the days of the week and hours of the day.

The graffiti left by prisoners in the Tower of London offers an unparalleled insight into the minds and emotions of those who lived and died within its walls. These carvings served multiple purposes: a way to mark time, express beliefs, and assert identity in a world that sought to erase them.

Many inscriptions reflect religious devotion, such as Philip Howard’s Latin plea or Henry Walpole’s saintly carvings. Others capture personal reflections, like the Dudley family coat of arms, which speaks to familial bonds amidst political upheaval. These inscriptions are not merely graffiti but historical records, providing a rare window into the lives of people who might otherwise have been forgotten.

Preserving the Tower’s Graffiti for Future Generations

Preserving these fragile carvings is a significant challenge. Modern graffiti, environmental damage, and the natural erosion of stone threaten these invaluable historical artifacts. Conservation efforts, supported by funding and advanced technology, are vital to ensuring that these inscriptions endure for future generations.

Exhibitions like “Imprisonment at the Tower” bring these stories to life, allowing visitors to connect with the human experiences behind the graffiti. The Beauchamp Tower’s display, for example, highlights the resilience and creativity of prisoners, showcasing carvings that span centuries.

Ambrose Rookwood, one of the Gunpowder Plot conspirators, was arrested on November 8, 1606. Taken from the Tower on January 27, 1607, he pled guilty at Westminster Hall. On January 30, he was tied to a hurdle and dragged by horse from the Tower to Westminster, where he was hanged, drawn, and quartered alongside his co-conspirators.
Ambrose Rookwood, one of the Gunpowder Plot conspirators, was arrested on November 8, 1606. Taken from the Tower on January 27, 1607, he pled guilty at Westminster Hall. On January 30, he was tied to a hurdle and dragged by horse from the Tower to Westminster, where he was hanged, drawn, and quartered alongside his co-conspirators.

Video

Explore the rich history of the Tower of London – watch the video to uncover the fascinating stories, royal secrets, and iconic moments from this historic landmark!

Conclusion

The graffiti of the Tower of London is more than mere markings on stone; it is a testament to the human spirit’s ability to endure and assert itself in the face of adversity. From political prisoners to religious martyrs, the stories etched into these walls speak across time, offering profound insights into history, identity, and belief.

Thanks to modern technology and ongoing preservation efforts, these inscriptions continue to reveal new narratives, ensuring that the voices of the past are not lost to history. As we uncover these hidden stories, we are reminded of the enduring power

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